![]() The EQ is truned on and used to accentuate the low end and the mid lows of this sound for added punch. A Classic Tube Amp is loaded into the FX1 tab for drive and some distortion. A Bandpass filter is loaded into the Filter1 panel. A Sine-Square wavetable is loaded into OSC2 with the Pitch value dropped two octaves. It starts off with a Modern Talking wavetable loaded into OSC1 with the pitch value dropped two octaves. ![]() ![]() This first installment explores some ideas and methods that are easy to implement with this powerhouse synth and hopefully sheds a little light on soem things you can do differently to help improve your instruments and your sound design sessions within Massive. This series looks at using it for more than just bass sounds. NI Massive has become of one of the most commonly used synths to design dubstep bass synths with. We kick off another month-long members only tutorial series from Jonny Strinati that’s all about producing Dubstep with NI Massive, with this installment on designing killer growl bass synths!
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